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Dream Drop Distance Ultimania: Unnamed Dream Eater

Posted by Mike : May 30, 2012 at 10:12 PM ( 6 , 1,336 )

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Hello KH-Vids. We've mentioned the Kingdom Hearts Dream Drop Distance Ultimania earlier which released this month. Do you recall?

Thanks to KHInsider we're able to view a scan of this unnamed bunny (Dream Eater) that was supposedly cut from the final product. Judging from the concept art it appears that the unnamed bunny wasn't full developed in the scan provided above. Interestingly enough its attacks seem quite interesting, which makes us wonder why this little creature didn't make the final cut in Kingdom Hearts Dream Drop Distance.

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RUMOR: Kingdom Hearts Rememberance HD collection to be announced at E3!

Posted by Chevalier : May 30, 2012 at 6:01 PM ( 62 , 7,201 )

Well guys, looks like it may finally happen! Apparently a credible source has given insights on the unveiling of an HD remix for all the past Kingdom Hearts titles.

Kingdom Hearts 1 and 2, Chain of Memories, Days, Birth by Sleep to receive an HD upgrade and go to the PS3, Vita and WiiU. All of this will be unveiled at E3!

So guys, what are your thoughts on this? Hoax or possible? Just remember to take it with a grain of salt and not scream like I did xD

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Iwata Asks Translated and English Gameplay Pictures

Posted by Krowley : May 29, 2012 at 5:40 PM ( 8 , 1,587 )

Thanks to The Nintendo UK website, more pictures have been brought to light for the anticipated release of Dream Drop Distance.

The Website also features an "Iwata Asks" translated interview with 3rd Party Game Developers. Though the Interview was back in April, it has been officially translated and updated to the UK Nintendo site for English Players. The full interview can be read below or From the Source.

The Impact of Super Mario 64 said:

Iwata: Thank you very much for joining me today.

Nomura: Thank you for having me.

Iwata: This is the first time weâ€™ve met like this, isnâ€™t it, Nomura-san?

Nomura: Thatâ€™s right, yes.

Iwata: Well, though weâ€™ve never had a reason to meet previously, Iâ€™ve been wanting to talk to you for a long time.

Nomura: Oh, really?

Iwata: Now, Iâ€™d like to get things started by talking about THEATRHYTHM FINAL FANTASY1. I recently had the opportunity to talk to Hazama-san2, the producer of the game, and I really felt like you were his mentor, Nomura-san.

Nomura: Oh yes, weâ€™re good friends.
Iwata: I got the impression that, for Hazama-san, you are someone who provides guidance during the creative process. How did you feel when he told you about the idea for THEATRHYTHM?

Nomura: Well... I thought it wasnâ€™t the kind of idea that could come from a developer.

Iwata: Ah, I see. You mean that the people who usually make games couldnâ€™t have come up with an idea like that?

Nomura: Yes, because most people approach games from a different perspective. Hazama-san, on the other hand, started out with the idea of â€œI want to use existing visuals to make a gameâ€. I thought that was a really interesting concept, and I encouraged him to go ahead with it.

Iwata: I felt that Hazama-san found your words very supportive. I also remember him saying something to the effect of â€œcreators are amazing people. They walk their own path, and though it is sometimes dark and difficult, they always believe that they will reach their goal. I have a long way to go before Iâ€™m able to do the same, but I really respect and admire those people.â€ I found that very interesting.

Nomura: I think itâ€™s always interesting to talk to someone who has some characteristic or quality that you donâ€™t. When I spoke to Hazama-san, I really felt that he had something I lacked.

Iwata: Now, I believe that THEATRHYTHMâ€™s good reputation was established largely on the back of its demo version3. It was actually you who proposed the idea of this demo, wasnâ€™t it, Nomura-san? I was wondering if youâ€™d be able to tell us a little about it.

Nomura: Well, there are various game events held every year, and I make a habit of watching playersâ€™ reactions to the titles that are presented there. The queue to play the first trial version of THEATRHYTHM was unbelievable. Lots of people wrote things like â€œIt was such funâ€, and â€œI kept queuing over and overâ€ on blogs and Twitter, so I felt there was a really good response from day one. I realised that actually playing the game really improved the impression people had of it.

Iwata: So you believed it was better for people to have a hands-on experience of the game, did you?

Nomura: I did. Thatâ€™s why I proposed the idea of creating a demo version.

Iwata: Do you often watch how players react to games, Nomura-san?

Nomura: I do, yes. Obviously, I watch them play the games themselves, but I like to watch their responses to promotional videos as well. Watching such reactions is a way of understanding which parts of a game resonate with the audience, so Iâ€™ve started doing it at every possible opportunity.

Iwata: There are always going to be discrepancies between the reactions you want players to experience and the ones they actually have, and correcting such discrepancies is something that must be done on an almost daily basis. Is that conventional practice for you and your team, Nomura-san?

Nomura: Yes, I always pay attention to how the audience reacts, whenever the games weâ€™ve created are displayed to the public. This is something Iâ€™ve been doing for a while. Iâ€™ve also told key staff members to observe customersâ€™ reactions in the same way.

Iwata: It seems that this is something you just figured out yourself, not something that anyone taught you to do. Artists donâ€™t always believe in just giving their audience what they want. Instead, they sometimes deliberately do things that go against peopleâ€™s expectations, that arenâ€™t part of the mainstream. At the same time, however, they carefully observe how people react to their proposals, and try to reconcile their vision with customersâ€™ reactions as they work on a project.

Nomura: Thatâ€™s right.

Iwata: This conversation is showing me a side of you that I didnâ€™t know existed, Nomura-san. I actually think I have a similar mentality myself, so your approach really resonates with me.

Nomura: Oh, I see! (laughs)

Iwata: Now, letâ€™s talk about Kingdom Hearts4. Itâ€™s become really big story over the last 10 years, but it was actually the first title you ever directed, wasnâ€™t it?

Nomura:Yes, it was.

Iwata:Now, characters in the Kingdom Hearts series inhabit the same worlds as characters created by Disney - one of the strictest companies around when it comes to how their characters are used. I remember having a similar experience back when we were making Smash Brothers5, and thinking how difficult it was. Iâ€™m therefore really interested in how such a collaboration got started, and how you got over such difficulties.

Nomura:
Itâ€™s often said that it started after we happened to meet while in the same building... But the story of making a game with Disney actually goes back further than that. So, one day I was, for some reason, in the same room as Hashimoto-san6 and Sakaguchi-san7...

Iwata:All three of you just happened to be there at the same time?

Nomura:Thatâ€™s right. I had been called there for some completely different reason, but when I arrived, Hashimoto-san and Sakaguchi-san were talking about a discussion theyâ€™d had with Disney, having an exchange along the lines of â€œMickey Mouse would have been great, but we canâ€™t use himâ€. At that moment I basically put my hand up and said â€œI want to be a part of thisâ€. Thatâ€™s how it all began. But at that point, I wasn't really thinking of making a game that featured Mickey Mouse...

Both:(laughter)

Nomura: Anyway, in the end they both came to the conclusion that they would â€œlet Tetsu give it a tryâ€.

Iwata: But why did you put your hand up in the first place? What interested you?

Nomura: Well, just as I was working on FFVII8, Mario 649 was released. The fully three-dimensional spaces and the freedom you had to run around them had a big impact on me. When I told my colleagues I wanted to make a game like that, they said â€œbut Marioâ€™s already a world-famous character. It would be impossible to start from scratch with an all-new character.â€

Iwata: They didnâ€™t think you could compete with Mario?

Nomura: Exactly. Somebody even said â€œThe only way you could do it is with characters that are as well known as Disneyâ€™sâ€. That really stuck in my head, so when I heard we could be working with Disney characters, I naturally jumped at the chance.

Iwata: So, you put your hand up for this project because of the impact Mario 64 had on you, and because your colleague had mentioned that it would be impossible to create a game like that unless you used Disney characters. You remembered those words, and the rest is history!

Nomura: Thatâ€™s right, yes! (laughs)

Iwata: Well, well... Destiny is a curious thing, isnâ€™t it?
Click to expand...

Itâ€™ll Definitely be Fun said:

Iwata: Did you then go to Disneyâ€™s offices for a meeting?

Nomura: Yes. At first, we decided to just have a discussion. I had no idea what we were going to talk about; I just went to listen to what they had to say. I already had a vague idea of the game I wanted to make, though.

Iwata: Are you the type of person who visualises what you want to make before starting work on it, then?

Nomura: Yes, I am. In fact, Iâ€™d already visualised the game within a 3D space, and this was taking shape in my mind when I went to see Disney. Of course, they had their own ideas and asked us if weâ€™d be interested in making a variety of their ideas into a game.

Iwata: Their ideas were different from yours, naturally...

Nomura: Yes. They appeared to believe that we would make whatever they wanted us to make and came up with rather specific requests such as, â€œWeâ€™d like the game to feature this character.â€ They were really excited, explaining their ideas... To be honest, though, I wasnâ€™t really interested in any of them. (laughs)

Both: (laughter)

Iwata: You wanted to borrow Disneyâ€™s characters in order to make a new game that could compete with Mario 64, and you already had a vision of what this game would look like. I suppose their ideas didnâ€™t fit in with this vision.

Nomura: They didnâ€™t, no. In the end, I actually stopped a presentation halfway through. We didnâ€™t have that much time, and it looked like it was all going to get taken up by various Disney presentations. So, I interrupted them and told them the conclusion by saying, â€œI wonâ€™t make such games.â€

Iwata: Oh my! (laughs) I imagine they were quite surprised to hear that?

Nomura: Yes, they were certainly surprised. (laughs) However, since I did not understand what they were saying in English, I decided not to care too much about that, and told
them about my primitive idea for Kingdom Hearts: all-new characters going on a journey through the worlds inhabited by Disney characters. I visited their place several times afterward. In the first meeting, I showed them a design document with a picture of Sora, the main character from the game. Iâ€™d drawn him carrying a weapon that looked like an enormous chainsaw. â€œWhat on earth is this!?â€ they said.
Both: (laughter)

Iwata: They were probably wondering how that would look in the Disney world!

Nomura: When I told them it was a chainsaw, they looked really shocked - absolutely speechless. (laughs) They were looking at the design document, probably saying â€œthis is terrible!â€ and so on. It was all in English, though, so I didnâ€™t understand a word.

Iwata: I suppose sometimes ignorance is bliss! (laughs)

Nomura: Yes. (laughs) Sora went through a lot of fine-tuning before becoming the character he is now.

Iwata: But Disney did eventually accept the character? The one that had originally rendered them speechless?

Nomura: They did. They were very generous.

Iwata: Perhaps the people on the Disney side were looking for new ideas and changes. After all, quite a few people have become fans of Disney as a result of Kingdom Hearts. The fact that youâ€™ve been able to make Kingdom Hearts for a decade must attest to the fact that Disney is recognising its importance.

Nomura: They always say that Kingdom Hearts is very important to them, and Iâ€™m very happy about that.

Iwata: Now, as you told me this background story, I found myself wondering, â€œCould such a thing really happen?â€

Nomura: Oh, really? (laughs)

Iwata: Well, you had to overcome a lot of difficult situations to create the game â€“ Disneyâ€™s presentations about the games they wanted to make, their becoming speechless while looking at your design document, and so on... â€œThey shouldnâ€™t have been able to do this...â€ I thought, â€œHow have they managed it!?â€

Nomura: People say that a lot, but at the time I didnâ€™t think it would be impossible.

Iwata: Everything is impossible if we think it is. Often all it takes is for one person to believe strongly that something can be achieved and to continue pursuing that goal to the end.

Nomura: I agree. I kept saying, â€œIf we can do this, itâ€™s going to be really greatâ€ and, â€œIf we donâ€™t do it, itâ€™s our loss!â€ (laughs)

Iwata: It sounds like youâ€™ve learned something from working with Americans! (laughs) But if youâ€™ve already got an image of what you want to do, and are bumping ideas off each other, there will come a moment in that process when the other party accepts your idea.

Nomura: I think so... We had several opportunities to speak directly to Disneyâ€™s president at the time. He was very generous towards us. Even when the people around him were opposed to something, heâ€™d say it was OK, and weâ€™d be able to move on.

Iwata: When youâ€™re dealing with another company, having someone there with authority who understands you is an important factor in building a relationship with them, isnâ€™t it?

Nomura: Yes, we were very lucky.

Iwata: Now, at this point Square had been making RPGs for a long time. Were there many people in your organisation who had experience of making a game as action-oriented as this?

Nomura: No, there was hardly anyone.

Iwata: I get the feeling that the process of taking your original vision and turning it into a satisfactory finished article was far from straightforward. Am I right?

Nomura: From the very start of the project, when I assembled the team, we realised that there were lots of staff whoâ€™d never worked on an action game. So naturally, yes, there were some dark moments.

Iwata: Well, you were a first time director, assembling your staff, trying to persuade Disney to accept your ideas, working in an unfamiliar genre... Those extra hurdles probably made this project three or four times harder than usual.

Nomura: I think youâ€™re right. (laughs) There were several moments during development when the staff would panic and become anxious, not knowing whether the game we were making was going to be fun or not.

Iwata: If youâ€™ve been involved with a game from its very inception, it often becomes hard to tell whether itâ€™s actually fun or not, doesnâ€™t it?

Nomura: Thatâ€™s right. I did keep telling them not to worry, that it would definitely be fun...

Iwata: So you always believed firmly that the game would definitely be an enjoyable game, and that you would reach your goal in the end?

Nomura: I did.
Click to expand...

Square Intentions said:

Iwata: Back when you started out as a director, Nomura-san, how did you establish your own style in terms of what a director should be?

Nomura: The first directors I worked for were Sakaguchi-san and Kitase-san10. I think those two had a big influence on me. When it comes to battle planning, I think Iâ€™ve been influenced by (Hiroyuki) Ito-san11, who was the director of FFIX12. My other influences include Monolithâ€™s13 (Tetsuya) Takahashi-san14. He was in charge of graphics at Square, and looked after me in the early stages of my career. I imagine that those four would be my â€œseniorsâ€, as it were.

Iwata: So you absorbed everything you could from these four â€œseniorsâ€ before becoming a director yourself?

Nomura: Not really. I think the only thing I really absorbed was how to think about creative projects. When I became a director, I thought â€œIâ€™m never going to be able to be like those guys.â€ Iâ€™d really had fun working with them though, so I just vaguely hoped Iâ€™d be able to create the circumstances where everyone could enjoy the work.

Iwata: I personally believe that a leaderâ€™s main role is to tell his team what their goal is, and to ensure that they believe good things will happen if they reach that goal. When I listen to you speak, Nomura-san, it sounds like you are a leader who can make your team understand and believe in what they have to do.

Nomura: I hope so... Iâ€™m a designer as well, so I start out with a visual image in my mind. Maybe thatâ€™s easier to communicate than something written.

Iwata: But even a â€œvisual typeâ€ like you doesnâ€™t just visualise a series of still images. You also have to think about how things like combat would work, donâ€™t you?

Nomura: Yes, thatâ€™s right.

Iwata: How do you communicate things like that to your team?

Nomura: Well... At first I talk about my ideas and quickly draw some images in order to try and explain them. I suppose itâ€™s a bit like if you were describing a film youâ€™d just seen to someone. Thatâ€™s what it feels like.

Iwata: I see. So because you have the complete picture in your mind, you can say â€œthis bitâ€™s differentâ€ or â€œthis bitâ€™s fineâ€ and gradually make your vision a reality. You have a complete model image to work with from the beginning and to base your work on.

Nomura: I think thatâ€™s why the staff say it really helps when I make a promotional video.

Iwata: So your promotional videos are not just for customers. You also use them to make presentations to staff? I suppose they act as moving spec sheets, in a way.

Nomura: Yes, I think so. They get the idea of what kind of action we want to make, when they watch those videos.

Iwata: Ah yes, I understand. Now, one more thing that surprised people about Kingdom Hearts was the collaboration with Hikaru Utada. I must say, I was quite shocked myself. How did that come about?

Nomura: Well, Iâ€™m a fan of Utada-san, and I thought that since we were using world-famous Disney characters, weâ€™d need a song by the very best artist. For me, that could only be Utada-san. Lots of people said it would be impossible to get her, but we made her an offer anyway, in the spirit of â€œyou never know until you askâ€. Surprisingly, she seemed keen on the idea, and so the matter was settled.

Iwata: She was probably impressed with your straight-talking nature. There arenâ€™t many people who would go to Disneyâ€™s offices and tell them â€œI donâ€™t want to make a game where your characters are the stars. I want to make my own characters!â€ (laughs)

Nomura: (laughs)

Iwata: Utada-san probably doesnâ€™t have someone coming to her and saying â€œplease make a song for our gameâ€ every day, either. Most people would think itâ€™s impossible and not even try.

Nomura: I suppose so... Iâ€™m not really the type to think that something is impossible before giving it a go. I generally believe in giving things a try.

Iwata: Itâ€™s certainly better to keep trying than to think that something is impossible and just give up. Now, itâ€™s been a long time since the first Kingdom Hearts game was released, and Iâ€™m sure that there are always new obstacles for you to overcome as the series progresses. I know that such an epic series has a lot of subplots and so on, but how much of it did you have in mind at the beginning, Nomura-san?

Nomura: At first I only had a vague general framework. Iâ€™d sort of thought up to about KH II15. Yes, when No. I was announced, I had thought up to KH II, and by the time of the three titles being announced simultaneously16, I felt like Iâ€™d got everything fitting together quite well. When this game, Kingdom Hearts 3D17, was announced, it felt like just one more stage of the grand plan.

Iwata: So youâ€™ve gradually managed to construct a plot and work out how everything ties together. Was that a painful process?

Nomura: It was, but...

Iwata: You donâ€™t look pained at all, Nomura-san! (laughs)

Nomura: Donâ€™t I!? (laughs) Well, letâ€™s see... There are always limits when you are creating something. There is never a situation where youâ€™re just allowed to do whatever you want.

Iwata: Thatâ€™s right. Limits and restrictions must always be in place. If you had been completely free and unrestricted, the development work would never have been finished, would it?

Nomura: I think youâ€™re right. In fact, part of the enjoyment of making games is trying to make them as fun as possible within the limits weâ€™re given. I sometimes even think that having more restrictions actually makes the creative process more enjoyable.

Iwata: Yes, I totally understand what you mean. Sometimes thinking that youâ€™re fond of restrictions means you end up with more of them, and though this usually causes some problems as well, you have to choose not to see them as such. After all, you want players to enjoy playing the game, not experience the same difficulties you had during the creative process.

Nomura: Yes, thatâ€™s right.

Iwata: So you see, limits and restrictions are an unavoidable part of the creative process, and have you decided to enjoy the challenge of dealing with them?

Nomura: Yes. Thatâ€™s precisely why I enjoy finding ways to deal with restrictions. (Tadashi) Nomura-san18, who produced the advertisements for Kingdom Hearts and who taught me a great deal, always said that â€œplayers donâ€™t want to see the difficulties youâ€™ve hadâ€.

Iwata: Just as we were discussing!

Nomura: He always said â€œdonâ€™t talk about difficultiesâ€. I think he influenced me quite a lot.

Iwata: You agreed with him, then?

Nomura: I did. I think itâ€™s more interesting to hear about enjoyable things than about difficulties. I still live by a lot of things like that, things my seniors told me.

Iwata: That was part of the culture of creativity they had at Square, wasnâ€™t it?

Nomura: I think so, yes. When (Koichi) Ishii-san19 left the company, he told me â€œI trust you to keep up Squareâ€™s creative culture.â€ I think I do try and value that kind of mentality.
Click to expand...

A Jump Big Enough to Make You Laugh said:

Iwata: Please allow me to change the subject a little. What did you think of Nintendo 3DS when you saw it for the first time?

Nomura: Iâ€™d heard it was stereoscopic, but I imagined the effect would be more subtle. I was really surprised at how solid and three-dimensional everything looked.

Iwata: Now, this is a thought I had when I saw the Kingdom Hearts game you made for the Nintendo DS as well: youâ€™re one of these people who isnâ€™t comfortable unless youâ€™re making as much use as possible of a consoleâ€™s features, arenâ€™t you?

Nomura: I suppose so, yes! (laughs)

Iwata: I remember thinking the same when I saw The World Ends With You20. I think itâ€™s therefore fair to say that your fans are thinking â€œwhat is Nomura-san going to do with Nintendo 3DS?â€

Nomura: I suppose so... With a brand new title like The World Ends With You, you can be really adventurous and try all sorts of new things. When I think of Kingdom Heartsâ€™s fans, however, I know I canâ€™t go that far. Instead Iâ€™ve tried to find ways of using the new features wherever it seems possible. The thing Iâ€™m happiest about with Nintendo 3DS is that it supports analogue controls. Analogue controls are really important for action games, so this was a big relief for me.

Iwata: The free-flowing action in this title seems to be the most dynamic of any game in the series so far. Looking at it, you do feel that analogue controls are a must.

Nomura: Thatâ€™s right. The Nintendo 3DS system is a really bold machine, and the stereoscopic graphics give an incredible feeling of depth. Thatâ€™s why the visuals are so dynamic. Free-flowing action was actually the first feature I wanted Kingdom Hearts 3D to have.

Iwata: This free-flowing action was part of your original vision of the game?

Nomura: Yes, it was. This idea was born from the fact that the Nintendo 3DS system has both stereoscopic graphics and analogue controls. In fact, staff whoâ€™ve been working on this latest game now complain that the movements in older games like BBS21 and KH II are too slow. They say things like â€œonce youâ€™ve experienced the 3D free-flowing action, you canâ€™t go backâ€, and â€œa Kingdom game where you canâ€™t jump-kick off the walls just isnâ€™t a Kingdom game.â€ (laughs)

Iwata: So even your own staff said they couldnâ€™t go back to enjoying a previous title after experiencing the free-flowing action in this one! But was it difficult to build a game using such dynamic visuals?

Nomura: It certainly wasnâ€™t straightforward. Because you can now kick off a wall to jump as far as you like, we had to make maps that are much bigger than in usual Kingdom Hearts games. These jump-kicks are also a little difficult to control, but...theyâ€™ll make you laugh! You wonâ€™t believe how far you can jump! (laughs)

Iwata: You laughed at a feature you added yourself!? (laughs)

Nomura: I did, but then I thought itâ€™s probably a good thing that itâ€™s funny. Whatâ€™s more, learning how to control moves like that is part of the fun of an action game.

Iwata: You can certainly get addicted to such things. Watching somebody play it really makes you want to give it a try.

Nomura: I think so, too. My favourite part of Mario 64 was in front of the castle. You didnâ€™t have any particular goals there; you could just run around, jump and slide. Woosh! Thatâ€™s the kind of thing I had in mind when I was imagining Kingdom Hearts 3Dâ€™s free-flowing action.

Iwata: Ah, I remember (Shigeru) Miyamoto-san saying that he wanted to create the game where just picking up the controller and moving around in the world was fun, even when there was no particular game mission to complete. When I saw that heâ€™d actually managed to achieve that, I was really impressed, as it was something I had wanted to do myself. Mario responded exactly to your intentions when moving, and it looked like all his motions were smoothly connected. I think Mario 64 changed action gaming forever, actually.

Nomura: I agree. Being able to freely jump around is at the very root of what action gaming means. In this game, we tried to make it freer than ever. Jumps are not easy to pull off at the beginning, but they are incredibly satisfying once you have mastered them.

Iwata: I hope lots of people get to experience that satisfaction. Now, how many of the new action game ideas that have made it into the game were things that were part of your original vision, and how many of them were things you uncovered or worked out during development?

Nomura: I donâ€™t think anythingâ€™s made it into the game exactly as I originally imagined and drew it. Many staff members contributed their ideas, and I was happy with that â€“ as long as they were fun. Actually, it wouldnâ€™t be that much fun if the things made it in the game exactly the way Iâ€™d imagined. Iâ€™d had the original vision for the game in my head for a long time, but when other people shared their opinions, this vision really grew, and I could say â€œweâ€™re doing something audacious hereâ€.

Iwata: I suppose you always believed there was a good common solution lying ahead, so you had the faith to carry on searching for it.

Nomura: Yes. I can never deviate from the course that I set originally, and I always keep in my mind this image of a rather vague and broad goal where we should finally arrive. So, even when the newly proposed ideas arenâ€™t exactly what I had originally envisaged, it is OK as long as I can feel they are fun or interesting.

Iwata: Alright. Now, Iâ€™d like to ask you about the benign Dream Eaters.

Nomura: They came about because my family had cats and dogs when I was a child. The thing with pets is that youâ€™re present from the moment theyâ€™re born all the way through their development, so you develop a real affection for them. Thatâ€™s why I thought that, if some Dream Eaters became playersâ€™ companions as soon as they were born, players would feel a similar level of affection towards them as they do to towards their pets. That was my motive when I created the friendly Dream Eaters.

Iwata: I see.

Nomura: Whatâ€™s more, most of the games up to now that have allowed you to befriend your enemies involved command-based battles. I wanted to try doing that with full action battles.

Iwata: There certainly arenâ€™t many action battle games that allow you to befriend and fight alongside characters that originally appeared as your enemies.

Nomura: Actually doing that was quite troublesome, but I was determined to do it before anyone else did. I knew that fighting alongside your former enemies in such audacious action battles would be really fun, so I wanted to be the first company to achieve that. Sora can now swing his companions around and throw them, ride on their backs, and all sorts of other things.

Iwata: You casually mentioned â€œriding aroundâ€ there, but actually implementing riding in a game always massively increases your workload, doesnâ€™t it? (laughs)

Nomura: Yes, itâ€™s certainly easier said than done! (laughs)

Iwata: So the concept of friendly Dream Eaters was born from your pursuit of an original game system and your vision of unique visuals, in addition to the fact that you had cats and dogs when you were a child?

Nomura: Thatâ€™s right. Nintendogs22 made an impact on me as well â€“ the way that game puts you in contact with your pets. I always had battles in mind, though. I wondered â€œwhy canâ€™t I make my Nintendogs fight?â€ (laughs)

Iwata: (bursts out laughing)

Nomura: When you take your Nintendogs for a walk, and they meet other dogs via StreetPass23... Imagine if they could have a battle!

Iwata: You wanted to fight against the other dogs you met!? (laughs)

Nomura: I did occasionally think â€œare they going to fight...!?â€ But of course, they never did. (laughs)

Iwata: (laughs) But, of course, whenever we encounter brand new creative works, we always receive some inspiration from them. In that sense, weâ€™ve been tossing the invisible ball back and forth amongst ourselves, so to speak.

Nomura: I suppose so. Iâ€™ve always made RPGs in which the battle system has been pivotal, so I find it quite hard to think of something other than the battle system. I told the THEATRHYTHM team to add battles to the game as well. I said that I was imagining four people, lined up, and four rows in front of the enemy...

Iwata: Oh, I see. It seems you feel quite strongly that a game revolves around its battle system, then, Nomura-san.

Nomura: Thatâ€™s probably a reflection of what I want from a game. Maybe Iâ€™m just not happy unless Iâ€™m fighting! (laughs)
Click to expand...

Kingdom Hearts-esque said:

Iwata: Now that the series has gone on for so long, I suppose you must have gradually established a â€œKingdom Hearts-esqueâ€ style.

Nomura: Hmm. I wonder...

Iwata: Or perhaps your team didnâ€™t need to discuss it, because you had a clear vision of what the final product should look like from the very beginning, before a game was even produced?

Nomura: I think so, yes. We donâ€™t really talk about whether games are Kingdom Hearts-esque or not. Staff are aware that if I say â€œthis is what I want to makeâ€, that means itâ€™s already a Kingdom Hearts game.

Iwata: So Kingdom Hearts as we know it actually comes straight from your mind?

Nomura: Yes... Now, if youâ€™re asking what â€œKingdom Hearts-esqueâ€ means, one of the things it involves for me is a sense of depth.

Iwata: What do you mean by â€œdepthâ€?

Nomura: I hope people feel a sense of depth when they enter the world of Kingdom Hearts. I donâ€™t want it to look like weâ€™ve just made something flimsy and superficial, and are just trading off the Kingdom Hearts name.

Iwata: So itâ€™s not just a matter of sticking the world and the characters into the game?

Nomura: No, itâ€™s not. I really donâ€™t give much thought to that, to be honest... What really matters is the â€œsettingâ€ of the game â€“ and that is not necessarily something that can be seen on the surface.

Iwata: So you have a coherent idea of how everything works, and the game only works if this is adhered to. Whether or not itâ€™s all mentioned is irrelevant, itâ€™s about you knowing how everything is interconnected, and being able to explain it without contradicting yourself.

Nomura: Thatâ€™s right.

Iwata: Tell me, when you actually revealed this game to the public and watched their reactions, what kind of responses did you observe, Nomura-san?

Nomura: When the game was first announced in Los Angeles24, I was sitting on the first floor, watching you make the presentation. The title came up on the screen behind you, and I could see the audience getting really excited. â€œThank goodness...â€ I thought. It was a real relief.

Iwata: I remember standing on stage and witnessing the audienceâ€™s reaction as well. People seemed really thrilled.

Nomura: I did think â€œI have to take this seriously nowâ€... Ever since that first announcement, thereâ€™s been a big reaction to every trailer weâ€™ve put out. People are really taking an interest in the game â€“ I didnâ€™t think they would, not to this extent.

Iwata: Why is that?

Nomura: A really great line-up was being announced at the time, and I didnâ€™t think that this title stood out, particularly. But I really felt the audience were showing an interest in it. The reaction to the bundle25 was also really good.

Iwata: There certainly was a very positive reaction to the bundle.

Nomura: Yes. Though Iâ€™m confident that the game has become something that the fans will like, but I felt the general response was actually better than Iâ€™d been expecting.

Iwata: When you create a long-running series like this, there must come a time when you worry about the conflict between meeting fanâ€™s expectations and being accessible to new players. What do you think about that?

Nomura: I worry a lot about that... I feel itâ€™s something that has to be dealt with eventually. We try to make the introductory part of every game accessible for new players, for example by having the main character enter the world and ask â€œwhat is this placeâ€? That puts them in the same boat as the player.

Iwata: So you always start from a situation where the player knows nothing?

Nomura: Yes. We give players who donâ€™t know anything some information about the characters and the game setting that we think is useful. But itâ€™s hard for the players whoâ€™re familiar with the series to understand the things that new players will be uneasy about.

Iwata: And the fans of the series probably feel that explanations aimed at new players are a bit excessive.

Nomura: If a puzzle is presented both to players who have experience and those who donâ€™t, the ones who donâ€™t have experience may think that they are lacking some prior knowledge required to solve the puzzle. That is, they think they canâ€™t solve the puzzle because they havenâ€™t played previous titles in the series. So, although itâ€™s always a difficult question that will never go away, weâ€™ve included a system in this game that will allow players to learn the entire plot of the series so far.

Iwata: You certainly donâ€™t feel like you need to have played the previous games in the series in order to enjoy this one.

Nomura: I hope thatâ€™s the case. Weâ€™ve made this title so that it contains all the information you need to know, even more so than previous titles. (laughs) But still, we didnâ€™t forget that concept of â€œjust picking up the controller and playing around - even without any specific game mission - is fun enoughâ€. So you donâ€™t need to know every detail in order to enjoy the game.

Iwata: This series did come about after you enjoyed jumping around in front of the castle in Mario 64 and decided to create gaming world where even just moving around can be fun for the players.

Nomura: Thatâ€™s right, yes.
Click to expand...

A Satisfying Tangle of Sub-Plots said:

Iwata: Now then, what would you say is the main appeal of this game for existing fans of the series?

Nomura: I think itâ€™s the all-star line-up of characters from previous titles in the series.

Iwata: Was it always your intention to make a game with an all-star line-up like this?

Nomura: Actually, in terms of story flow, there actually was no other option. This game is like a prologue to a forthcoming battle, so itâ€™s necessary for all of the characters from the series so far to make an appearance. I think fans of the series will be happy to hear this.

Iwata: When we showed movies of the game to the audience, you could hear their shouts and exclamations every time a character came on screen.

Nomura: We recently held an event at Odaiba (in Tokyo), and it was pretty incredible! (laughs) The audienceâ€™s reaction when the opening movie was played was amazing. They really revealed their emotional attachment towards these characters. Theyâ€™ve been with these characters for a long time, after all, and had developed affection towards them. I started out as a character designer, so it always makes me really happy when players react well to characters.

Iwata: And an â€œall-starâ€ game like this is just the thing for players who feel that kind of affection, isnâ€™t it?

Nomura: Yes. This gameâ€™s plot is a little difficult, but I really think it develops in a way that fans of Kingdom Hearts will enjoy. A lot of complicated sub-plots are connected together, while I think the new mysteries that are introduced are also very interesting.

Iwata: If bonds are revealed between plots that players thought were unconnected, I could see how this game could be quite refreshing for fans of the series.

Nomura: I think so. We spoke earlier about â€œdevelopment in a restricted environmentâ€, and how this is difficult. But when things click together in such a situation, itâ€™s incredibly satisfying. Connecting mysteries and sub-plots in the game world is a similar feeling.

Iwata: So you consider the two things to be similar challenges... I see. Now, this title is being released at a time when the situation for Nintendo 3DS is looking good, but itâ€™s only come this far because of the wonderful support itâ€™s received from so many people. In return, I want to create an equally good situation for everyone involved in video games. Iâ€™m really excited to see how players will respond to this game.

Nomura: Iâ€™ve done everything I can. Now itâ€™s just a matter of waiting for the game to be released and seeing how players react to it.

Iwata: Talking to you today, you seem to feel a certain sense of completion.

Nomura: Yes, I do. This gameâ€™s development period was short for a Kingdom Hearts game, but we really put everything into it and didnâ€™t cut any corners. I do feel a sense of completion and achievement.

Iwata: I see. By the way, Nomura-san, Iâ€™m sure you knew about â€œIwata Asksâ€ before you came here today, but how did it feel to actually take part in a session?

Nomura: I found it quite easy to talk to you... Though I was really nervous at first! (laughs) Itâ€™s always fun to talk to someone who loves games. Thatâ€™s probably why I found it easy.

Iwata: Likewise, I found it very easy to talk to you. I started out as a programmer, so Iâ€™m not able to visualise game concepts in advance in the same way designers like you do, Nomura-san. When it comes to the actual development period, however, I was very surprised at how many things we had in common. I learned a lot today.

Nomura: Iâ€™m glad to hear you say that! (laughs) Iâ€™m actually not very good at talking to people I havenâ€™t met before...

Iwata: But youâ€™ve got so many interesting things to say!

Nomura: I hope I have... (laughs)

Both: (burst out laughing)

Iwata: Talking to someone who has gone through the thought processes and difficulties involved with creating something is always interesting. I think the difficult part is transmitting those interesting stories to the world at large. In fact, my motivation in continuing the â€œIwata Asksâ€ series is to try and inform fans of the interesting dramas that surround game development.

Nomura: I see. I saw how people reacted to the one about THEATRHYTHM, and it seems that fans are really looking forward to reading this interview as well.

Iwata: Our discussion today has taught me that you are someone who really does visualise and imagine things very vividly. That is the secret behind the success of the free-flowing action in this game as well. Forgive me for saying this, butoking at the screen, it really is a mystery to me how you managed to incorporate such crazy action into the game.

Nomura: Yes, my colleagues did say it would be difficult when I mentioned I wanted to do something like that. (laughs) But the fact that weâ€™ve managed to achieve it really is a testament to our staff. Coming up with the concept is one thing, but making it a reality is the staffâ€™s role, and Iâ€™m very grateful to them for doing that.

Iwata: In the same way, your seniors were once grateful to you for the work you did for them. If they hadnâ€™t been, you would not be where you are now. You always have respect and gratitude for staff who can do things you canâ€™t.

Nomura: I agree. I feel grateful to them for putting up with my wild ideas. Iâ€™m sharing these ideas in the belief that they can make them happen.

Iwata: You have your staff to thank for making these â€œwild ideasâ€ happen, while your staff do their utmost with the conviction, â€œNomura-san can surely navigate us to the goal in the end.â€

Nomura: Well, I generally canâ€™t say anything more than â€œeverything will be fineâ€...

Iwata: Yes, Hazama-san mentioned that. Another connection! Lots of previously unconnected things have been tied together during our conversation today. It was very interesting indeed.

Nomura: Iâ€™m happy to hear that! (laughs)

Iwata: Thank you very much for today.

Nomura: Thank you very much.
Click to expand...

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An Official Kingdom Hearts Mug

Posted by Krowley : May 28, 2012 at 10:07 PM ( 14 , 2,235 )

A fancy and eloquent looking Mug has been updated to the Square Enix Online Store.
This lovely piece of merchandise is set to be released soon at the price of Â¥1,600 (Roughly 20 dollars)

[IMG]

You will notice the same silhouette design used on our site's banner (In the most recent skin)

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London MCM Expo: Impressions From Protecter212

Posted by Mike : May 27, 2012 at 7:52 PM ( 1 , 929 )

Hello KH-Vids. Earlier we've posted impressions from the playable demo of Kingdom Hearts Dream Drop Distance during this weekend at the London MCM Expo. Our member "Protecter212" has also submitted his review as he attended the event and submitted his own impressions while playing as Riku.

The impressions can be found below. Please note you are accessing minor spoilers.

The world was Country of the Musketeers. As Riku approachs the Castle and notices Pete walking into the main entrance, Riku follows him. It now changes to Gameplay and tutorials pop up, explaining the battle system and Flowmotion and Drop system. The commands are the same as 358/2 Days and Coded. Riku's assortment of Commands was Dark Splicer, Dark Forage, Curaga (or Cure?) and his keyblade wasn't Way to the Dawn sadly enough. We are also introduced to the Dream Eaters in battle and Riku had I believe a Unicorn and a Bat, but silly me was too focused on the fighting (chuckle).

I entered the castle and another tuorial pops up of Links with another player to borrow a Dream Eater from another 3DS. The name of the player funnily enough was named Vanille. I'd imagine the other 3DS's that had KH: DDD had different names. I also tried to use the new mechinaces of the system. Amazed at the idea of using the enviroment to your advantage kind of like Reaction Commands but without the obivous triangle pressing.

I continued on using the map in the lower screen and so far opened two treasure chests contaning Mega Potions and saw pete had ordered his goons to place wooden replicas of Mickey, Donald and Goofy in front of a stage prop ship and Riku hid. Commenting on how those three always are together and wooden crates fall these replicas and Pete moves on leaving Riku to follow onwards.

Sadly this is where I have to end it. I had a set time limit playing the demo and the attendee who had the booth said you can only reach up to the stage ship then that's it. Happily, I was able to watch the cutscenes and if I remember; I was the 432nd person to play the Demo. There were seriously many people who wanted to play this game and I don't blame them for a second!

I also played Theatrhythm Final Fantasy and it's what it says on the tin. You need to tap, press down or move the cursor on top of the screen with the pen on the bottom. It seems like most FF characters are there as I saw there was Locke and Vivi in my team. Sadly, I did not get far (chuckles again) because rhythm or beat music games do not work for me due to my hearing unfortunately. Trust me, when I had Birth by Sleep, I couldn't get past Ventus's Disney Town plot and shamefully I had to ask for assistance.

All in all, I'm happy to have gotten the chance to experience these two games and look forward to Dream Drop Distance offical release and enjoy the story, the characters and of course the new battle system.

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