Snatch is a ridiculously good movie.
http://www.imdb.com/name/nm0784884/?ref_=tt_cl_t5
http://maps.google.com/maps?q=ONE+MILE+OVER+WE'LL+BE+THERE+AND+WE'LL+SEE+YOU
You have musical notation for a name, come on. Regardless of the personal feelings I have that Kyoani loves stepping on (I was also on the fucking swim team), K-On actually is bad though. There are cute shows with substance, K-On isn't one of them.
Should have requested absolution.
/late
What is her name?_ _ _ F A Y E _ _ _ What does she look like? I will follow this until the end of the universe.
In situations like this it's best to draw attention away from yourself and make stopping to take a break look like their idea, not yours. In fact most people just respond better to being in control in general. They tend to think things are going their way if they're the ones doing them. How very foolish and predictable. Ah, humans. With a girl like this you're going to have to be subtle and delicate with. So you remain silent for a bit, wait until the right moment and then you decide to give her a compliment. With your hand. Ooh, soft. Ouch, hard. After she stops screaming bloody murder at you and you can reveal your face without seeing a fist aimed for it you say that it's a custom in your country. She tells you that if you do it again, no one will find the body. That was dark. While you're stopped you ask how old she is. 18. You ask where you're going. A car. Her ideal university. Tokyo U. The distance between here and the car. Another mile. The reason it's so damn far. It's the backup. Her glasses prescription. Blind without them. She's actually a lot more cooperative than her manner would suggest. She's not really guarded about any questions and she doesn't really seem to be worried about you doing anything to her despite the fact that you're alone in the woods pretty much. She's probably just naive because she grew up in such a peaceful country with such a bunch of loons. Whatever the case, you've had enough of a break so you ask to be led further on. She starts walking without a word. She's not grabbing your sleeve anymore. When you finally reach the car you're pretty tired again. The girl starts fishing in her pockets for the keys as you approach what appears to be a car from the 70s. At one point was was probably in the possession of someone who had a thing for goes fast and the paint job indicates that said person was probably not very mature; mid teens to early 20s. You turn to ask the girl if this car--
Gonna take the opportunity to break something down for everyone. Attack on Titan is a bad translation. Shingeki no Kyoujin actually conveys 'advance of the crazy muthafuckers'. I'm not shitting you, it's true. Just look up the kana. The reason I want to stress this is because it actually it matters who is the aggressor here and some idiot messed it up.
Don't know what your power level is and what you've seen before but you have good enough taste it seems. Still gonna casual this because I don't even television. Anime: Kare Kano Magical Shopping Arcade Abenobashi Girls Und Panzer (****offthepinktankisawesome) Haiyore! Nyarko-san Fate/Zero Film: Taste of Tea Minbo Mongol Blood and Bone Drama: City Hunter (Korean)
You don't miss a beat and start sexually harassing your only chance at a bed to sleep on for the night immediately. You may or may not have a little ghost left in the tank. The girl clearly smells it and asks how you drove all the way out here without getting a DUI. You tell her that the phrase tipsy is not as accurate as it might sound. She begins the close the door on you. In a few quick strides she's standing face to neck with you and you're peering down your nose at her. Within a second you're down on your knees, as is the custom in this country, begging her pardon. You might be a little drunk and a little slow but you're more lost that you are trouble. She finishes closing the door and the lights go out. For a young girl, she's pretty good. Most people go for the pity me, pity me route. Most people also like the entertaining drunkard. You sigh and begin walking away from the house. You hear the door open and shut behind you and the girl is suddenly pulling you along by the arm. She's wearing a raincoat and matching boots now. She tells you that she'll get you back to civilization within an hour. You ask her why she's so garbage at communicating these things in order and she just glares at you. Apparently, she's the only one living in the village right now, everyone else is on vacationing in Hakodate or something. She was studying for entrance exams and her family wasn't willing to reschedule. So she was left alone with Old Man Yamamoto and his dog Buchou for the month. When you ask why they all went together she explains that the village is just her family and extended family's joint compound essentially. They're independently wealthy and singularly eccentric. You ask her why the coat and boots. She says it's gonna rain. You tell her there isn't a cloud in the sky and she just glares at you again. Apparently, the weater report called for rain. Who knew? After walking behind her for about two miles you're pretty much tired and she seems to be speeding up. You should... [] Tough it out. [] Wimp out. [] Molest. Molest. Molest.
Remember this one, guys?
Stealth and physical activity in general aren't exactly your strong suits. So you work with something that is, politeness. You knock on the door and wait. You don't really like the look of the other houses, too grungy, earthy is the polite term. You'd really just like to get a response outta this one to say the least. After about two minutes, you knock again, louder this time. Five minutes after that a little louder. Ten minutes after that you're practically banging on the door. You're glad that this is one of those gate deals and not the actual front door. But then again, maybe if it were the actual front door you'd get some response. You're about to try knocking again when you hear a door creak open and see some light hit the wall in front of you. When you turn to look there's a young girl, looks like high school age about, standing there in some shorts, a tank top and... meganeko. You like. You're not one to chase younger girls, but come on, you're in Japan. She tells you that the neighbors aren't going to answer and asks you what you're even doing there. How do you respond?
Added.
What was his degree in?
This is what college did to my perceptions of fighting games.
I was actually just gonna do person to person edits for the uniform while only keeping the colors consistent across all people. I also noticed that only two staff are on the wheel and both are regular sec mods so the rank thing should be moot. Anyhow, thanks for the feedback. Sfor-chan's will be up later today probably. I don't see a list of confirmed NPC's anywhere so I assumed that was never going to be a thing that mattered. If you guys intend on using this stuff for a real part of the thing I guess I should go ahead and go all the way. However, if these are just references and extra like I thought they'd be, I'm not gonna do anything further since I'm sure you're all creative enough to handle it. Also, guys in general, I don't have time to actually do a lot of spriting myself, but I've done a couple from scratch in the past and I can help out if anyone has any specific task/character they want help on I can do it.
I'm playing-- doesn't matter. Tager is dead last tier in ALL OF THEM and you need excellent spacing and mind games to make up for the fact that he CANNOT MOVE FORWARD. Basically, Tager isn't hard because he's got some mechanically difficult thing to pull off, he's hard because he's got a ton of awful matchups and anyone outside of casual stomps him like he's nothing with their off characters. I get that it really matters who you're playing against, but Carl isn't harder to play than Tager by a long shot in my admittedly small circle. Noel though, she's probably the easiest in casual and still pretty easy to gain proficiency with. Also, using the word play to mean play and win. Using Melty Blood Actress Again Current Code. Still casual level because it's difficult and I'm using keyboard.
You take the middle path, as you always do. The grey fallacy has been a part of your life since you started your current line of work. Every single conflict can be resolved with compromise, but that compromise itself might just lead to more conflicts. That's why it's a fallacy. It's not right that you usually end up giving the hostage takers the money. It's not right that you got two warlords to stop fighting each other and freed up their time to fight the guys another ten miles down the road. It's not right that you got the rebels to accept fewer guns than promised on the condition that they'd be receiving air support on the upcoming attack. None of what you do is right, but you make it work out and not a single drop of blood is shed in your presence. You don't let it weight on your mind too heavily, though. This kind of thing isn't a matter of right or wrong because wrong happens without an expediter, it's just a matter of getting paid or not. Right though. Right needs some help. Right is also a dead loss. You never get rich off of doing right. You tried it and your company's stock dropped like a meteorite. So why is it right? Is it because it's harder? Is it because someone else decided it forever ago and-- You seem to have bumped into something. It's a sign. It reads something along the lines of, "little town 1km." You're almost out of the woods it seems. One kilometer later, you're still not out of the woods. The little town is actually a village surrounded on all sides by trees. Apparently, there's some more stuff further out where they do some agricultural stuff or whatever but that's not here. Here is where most of the folk live and have lived in much the same manner for what seems like the last hundred years. There's electricity, though. That can be filed under assets at least. Now you need to figure out which house you want to impose upon at this ungodly hour. The house close and to the right has a light on around the back, but seems to be the smallest house. The house far and to the right has no lights on but is the largest and most elaborate house. The house close and to the left has two lights on and has a nominal second floor, unlike even the largest house. The house far and to the left has no lights on and seems completely average. You go up to the... [] Close, right. [] Close, left. [] Far, right. [] Far, left.
